These are the nominees for the 26th World Soundtrack Awards!

World Soundtrack Awards 2025 (c) Jeroen Willems
05 Aug 2026
The nominees for the 26th edition of the World Soundtrack Awards have been announced, once again highlighting the incredible scores and songs composed for film and television over the past year. On 10 October, the winners will be announced at the annual WSA Ceremony & Concert during Film Fest Gent.

The 26th edition of the World Soundtrack Awards promises to be a celebratory evening filled with top-tier music for the big and small screen. Once again, the impressive film and television scores and songs from the past year will take centre stage. As Guest of Honour, we welcome Icelandic composer Hildur Guðnadóttir, who previously won Television Composer of the Year (2019) and Film Composer of the Year (2020) at the World Soundtrack Awards. Renowned South African composer Trevor Jones, famed for his scores for The Last of the Mohicans (1992), Notting Hill (1999), and Mississippi Burning (1988), will be honoured with the Lifetime Achievement Award.

Overview of the nominees

  • Film Composer of the Year
    • Alexandre Desplat - Frankenstein; Eagles of the Republic; Jurassic World Rebirth; L'homme qui rétrécit (The Shrinking Man)
    • Jonny Greenwood - One Battle After Another
    • Hildur Guðnadóttir - The Bride!; Hedda; 28 Years Later: The Bone Temple
    • Daniel Pemberton - Project Hail Mary; The Drama; The Bad Guys 2; Masters of the Universe
    • Max Richter - Hamnet
  • Television Composer of the Year
    • David Fleming - Widow's Bay
    • Finneas O'Connell - Beef (Season 2)
    • Martin Phipps - Steal
    • Dave Porter - Pluribus
    • Jeff Russo - Alien: Earth; Cape Fear; Citadel (Season 2)
  • Best Original Song
    • "Golden" from KPop Demon Hunters - written bij Kim Eun-jae, Mark Sonnenblick, Joong Gyu Kwak, Yu Han Lee, Hee Dong Nam, Jeong Hoon Seo, Teddy Park | performed by Huntrix
    • "House" from Wuthering Heights - written by Charli XCX, John Cale, Nathan Klein, Finn Keane | performed by Charli XCX, John Cale
    • "No Place Like Home" from Wicked: For Good - written by Stephen Schwartz | performed by Cynthia Erivo
    • "Stolen Tale" from Hedda - written by Hildur Guðnadóttir, Nia DaCosta | performed by Mariam Wallentin
    • "Train Dreams" from Train Dreams - written by Nick Cave, Bryce Dessner | performed by Nick Cave
  • Lifetime Achievement Award
    • Trevor Jones
  • Best Original Composition by a Young Composer (powered by Vienna Synchron Stage)
    • Xabier Doural García
    • Lidia Pozo Perez
    • Yeakun Yoo

Film Composer of the Year

The category of Film Composer of the Year honours five composers for their body of work over the past year. Among the nominees is two-time Academy Award-winning composer Alexandre Desplat, renowned for his richly textured orchestral scores that bring emotional depth to intimate dramas and blockbuster epics alike. He reinvented iconic John Williams motifs into a thrilling action score for Jurassic World Rebirth, crafted a lyrical symphonic score for Guillermo del Toro's Frankenstein and elevated L'homme qui rétrécit with haunting, suspenseful jazz. Best known as Radiohead’s lead guitarist, Jonny Greenwood has built an acclaimed film scoring career defined by tension-filled orchestrations for Phantom Thread and The Power of the Dog. For Paul Thomas Anderson’s One Battle After Another, he channeled that signature style into a nerve-shredding score. This year's WSA guest of honour, Academy Award-winning Icelandic composer and cellist Hildur Guðnadóttir, is celebrated for her atmospheric soundscapes for acclaimed projects like Joker and Chernobyl. Her nomination reflects her versatility, from the gothic punk score for The Bride!, over the jazzy vocal tracks for Hedda, to the raging mammoth horn solo's from 28 Years Later: The Bone Temple. Emmy-winning British composer Daniel Pemberton blends traditional orchestration with unconventional, genre-bending soundscapes. For Project Hail Mary, he created an expansive sci-fi score using organic textures like glass, water, and body percussion. Pemberton's slow-burning acoustics for The Drama, infectious funk for The Bad Guys 2 and maximalist glam-rock explosion for Masters of the Universe complete his nomination. Post-minimalist composer and pianist Max Richter is renowned for seamlessly fusing emotional classical orchestration with hypnotic contemporary ambient electronics. For Chloé Zhao's Hamnet, he wrote a deeply moving score that blends period Elizabethan instruments with soft vocal chants to mirror the intimacy and grief of the story.

Television Composer of the Year

The nominees in the category Television Composer of the Year, presented at WSA for the tenth year in a row, prove that the golden age of television is far from over. Emmy-winning composer David Fleming, nominated last year for his atmospheric contributions to The Last of Us, returns to the category with genre-defying horror-comedy Widow's Bay, with a score navigating the show's tightrope between dread and wit. Also nominated is multiple Grammy- and two-time Academy Award-winning musician Finneas O'Connell, whose score for the second season of Beef marks his most ambitious foray into television composition to date. In his original score, delicate piano collides with anxious synth. Martin Phipps, renowned for his work for Peaky Blinders, The Crown, and Black Mirror, and no stranger to the WSA stage, is nominated for his score for heist thriller Steal, which he cowrote with The Green Planet composer Benji Merrison. The tense score was composed almost entirely on a single monophonic synthesizer. Dave Porter, who worked with screenwriter Vince Gilligan since Breaking Bad, Better Call Saul, and El Camino, is nominated for his eerie post-apocalyptic score for Pluribus. Jeff Russo, Emmy winner for Fargo and celebrated for his wide stylistic range, is nominated for his work across Cape Fear and Alien: Earth, as well as the second season of Citadel.

Best Original Song

As an ode to the power of a single song to anchor a film or tv series in the collective memory, the award for Best Original Song honours five outstanding songs written for the big or small screen. Following their impressive victory at the Academy Awards, K-pop singer-songwriter Kim Eun-jae and composer Mark Sonnenblick are nominated with "Golden", written for the iconic Netflix hit KPop Demon Hunters. Together with Nathan Klein and Finn Keane, avant-garde pioneer John Cale and pop icon Charli XCX wrote “House”, a song that infuses raw emotional tension in the classic tale. With “No Place Like Home" from Wicked: For Good legendary composer Stephen Schwartz crafted a soaring ballad, brought to life through the powerful voice of Cynthia Erivo. "Stolen Tale" from Hedda, co-written by composer Hildur Guðnadóttir and director Nia DaCosta, serves as a haunting love theme carried by the distinctive, atmospheric vocals of Swedish singer Mariam Wallentin. Title track "Train Dreams" from Train Dreams joins Nick Cave with The National’s Bryce Dessner, anchoring the film’s narrative in Cave’s signature somber, poetic delivery and melancholy acoustic resonance.