These are the first nominees for the 25th World Soundtrack Awards!

20241016 FFGENT24 WSA Jeroen Willems 224
05 Aug 2025
The first wave of nominees for the 25th anniversary edition of the World Soundtrack Awards has been announced, once again highlighting the incredible scores and songs composed for film and television over the past year. Ariel Marx and Daniel Blumberg showcase a new generation of talent while icons such as Elton John, Alberto Iglesias, and John Powell feature as established voices. Volker Bertelmann takes centre stage again, receiving not one but two nominations. On 15 October, the winners will be announced at the annual WSA Ceremony & Concert during Film Fest Gent.

The 25th edition of the World Soundtrack Awards promises a festive evening celebrating the best music written and composed for screen. Aside from the annual WSAwards, this year's jubilee edition pays hommage to the extraordinary legacies of two icons: Philip Glass and Michael Nyman, both of whom will receive a Lifetime Achievement Award. As guests of honor, we are delighted to welcome Debbie Wiseman and double Academy Award winner A.R. Rahman, known for Slumdog Millionaire. Last year's revelation, Jerskin Fendrix, makes a much-anticipated return to Ghent with live renditions of his acclaimed scores for Poor Things and Kinds of Kindness by Brussels Philharmonic, conducted by maestro Dirk Brossé

Overview of the nominees

  • Film Composer of the Year
    • Volker Bertelmann - Conclave; The Amateur

    • Daniel Blumberg - The Brutalist

    • Kris Bowers - The Wild Robot

    • Clément Ducol, Camille - Emilia Pérez

    • Alberto Iglesias - The Room Next Door

    • John Powell - How to Train Your Dragon

  • Television Composer of the Year
    • Volker Bertelmann - The Day of the Jackal; Dune: Prophecy; The Count of Monte Cristo

    • David Fleming, Gustavo Santaolalla - The Last Of Us (Season 2)

    • Ariel Marx - Dying for Sex

    • Bear McCreary - The Lord of the Rings: The Rings of Power (Season 2)

    • Martin Phipps - Black Doves

    • Theodore Shapiro - Severance (Season 2)

  • Best Original Song
    • "Beautiful That Way" from The Last Showgirl - written by Andrew Wyatt, Lykke Li, and Miley Cyrus |
      performed by Miley Cyrus, Andrew Wyatt, Matt Dunkley

    • "El Mal" from Emilia Pérez - written by Clément Ducol, - Camille -, Jacques Audiard |
      performed by Zoe Saldaña, Karla Sofía Gascón

    • "I Lied to You" from Sinners - written by Ludwig Göransson, Raphael Saadiq | performed by Miles Caton

    • "Never Too Late" from Elton John: Never Too Late - written by Andrew Watt, Bernie Taupin, Brandi Carlile, Elton John | performed by Elton John, Brandi Carlile

    • "Winter Coat" from Blitz - written by Nicholas Britell, Steve McQueen, Taura Stinson | performed by Nicholas Britell, Saoirse Ronan

  • Lifetime Achievement Award
    • Philip Glass
    • Michael Nyman
  • Best Original Composition by a Young Composer (Powered by Vienna Synchron Stage)
    • Neville Bharucha
    • Théo Cascio
    • Bongseob Kim

Film Composer of the Year

Spotlighting the most compelling film compositions and soundscapes, The category of Film Composer of the Year spotlights the composers behind most compelling film compositions and soundscapes. Among the six nominees is the German composer and pianist Volker Bertelmann (also known by his stage name Hauschka). Bertelmann was named Film Composer of the Year at the 2023 World Soundtrack Awards and consolidates his place as one of today's most successful film composers with his compelling work on Conclave and the espionage thriller The Amateur. First-time nominee Daniel Blumberg, a British composer and experimental musician, is nominated for his arresting score for The Brutalist, which got him an Oscar for Best Original Score at the latest Academy Awards. Joining them is Kris Bowers (known for Green Book, King Richard, Bridgerton, and When They See Us). Offering an orchestral and sensational score for the animated adventure film The Wild Robot, Bowers is now nominated in this category for the first time. From France, the collaborative duo Clément Ducol and - Camille - are nominated for their eclectic and powerful score to Emilia Pérez, Jacques Audiard’s genre-defying musical crime film. Renowned Spanish composer Alberto Iglesias returns to the WSA stage with a nomination for The Room Next Door, the latest in his longstanding collaboration with director Pedro Almodóvar. This is Iglesias' fourth WSA-nomination, having won the Award in 2005 (The Constant Gardener) and again in 2012 (Tinker Tailor Soldier Spy; The Skin I Live In). Completing the list is John Powell, whose return to the How to Train Your Dragon universe has been met with critical acclaim. Known for his vibrant orchestration, iconic themes, and pulsating action music, Powell has become the go-to writer for family animation.

Television Composer of the Year

Again, Volker Bertelmann finds himself in the spotlight. His patiently arranged and granular orchestrations in The Day of the Jackal, Dune: Prophecy, and The Count of Monte Cristo gain him a second nomination, now as Television Composer of the Year. David Fleming and Gustavo Santaolalla make waves with their work for the second season of The Last of Us. Their post-apocalyptic score deepens the series' haunting atmosphere, resulting in a joint nomination for two-time Oscar winner Santaolalla and Emmy winner Fleming. Also nominated is Ariel Marx, whose fragile and splintery score for Dying for Sex aligns well with the vulnerable, yet unyielding and combative spirit of the series (which revolves around a woman with cancer who seeks sexual liberation). Bear McCreary is nominated for his work on The Lord of the Rings: The Rings of Power (Season 2), in which he enriches the Celtic harps, woodwinds, and orchestral symphonies that have characterized the franchise for so long with new instrumental textures and thematic developments. Theodore Shapiro is nominated for his score for the critically acclaimed second season of Severance, where his unsettling motifs, minimalist piano lines, and dissonant strings evoke an alienating sense of disorientation and insecurity. Finally, British composer Martin Phipps earns a nomination for his music for the Netflix series Black Doves. Furthermore, Film Fest Gent will welcome Martin Phipps together with Emilie Levienaise-Farrouch as they will take the stage at Minimalism in Motion: Glass, Nyman and Beyond, the festival's highly-anticipated film music concert on 16 October.

Best Original Song

Following last year’s win for Billie Eilish and Finneas O’Connell’s poignant Barbie anthem “What Was I Made For?”, the question arises: who will follow up with the next Best Original Song? With “Beautiful That Way” from Gia Coppola's The Last Showgirl, pop icon Miley Cyrus delivers a sweeping and melancholic anti-ageism ballad, co-written with Andrew Wyatt and Lykke Li and arranged by Matt Dunkley. From the crime musical Emilia Pérez comes “El Mal”, written by Clément Ducol, - Camille - and notably Jacques Audiard himself. Performed by leading actors Zoe Saldaña and Karla Sofía Gascón, the song reflects a provocative, Rosalía-esque animosity, echoing the polemical rock debris that sets the film's tone. Also nominated is “I Lied to You” from Ryan Coogler's Sinners, a brooding, blues-driven song, written by Ludwig Göransson and Raphael Saadiq, and performed by rising talent - and one of the leading actors in the film - Miles Caton. The song's filmic performance in a Mississippi juke joint culminates in a powerful scene that pulsates African American historiographies of pain and resilience. In “Never Too Late” from Elton John: Never Too Late, two generations of songwriting come together. Performed by Elton John and Brandi Carlile, and co-written with Bernie Taupin and Andrew Watt, the track offers a reflective, sentimental meditation on legacy and endurance. Closing the shortlist is “Winter Coat” from Steve McQueen’s Blitz, a soothing and intimate lullaby with ingenuous and long-lingering stanzas, written by Nicholas Britell, Taura Stinson, and McQueen, performed by Saoirse Ronan.